Researcher Appointed as Area Editor for Grove Dictionary in Musicology Field
In the realm of academic research, Bernard Gordillo Brockmann, a native of Nicaragua, is making waves with his upcoming book project, "Canto de Marte: Art Music, Popular Culture, and U.S. Intervention in Nicaragua, 1909-1933." This intriguing work serves as a comprehensive exploration of the social and cultural history of Nicaragua, delving into the art, popular music, writings, and social networks of local composer Luis Abraham Delgadillo.
Brockmann, a Chancellor's Postdoctoral Fellow, is affiliated with both the Department of History and the Department of Musicology at his institution. His area of expertise lies in Latin American and Iberian music history, making him a recognized leader in his respective field.
The book project is under contract with Oxford University Press, further testament to Brockmann's esteemed standing in the academic community. His focus on music, sound, and political histories of Central America in the twentieth century promises a unique and insightful perspective on a significant period in Nicaraguan history.
Interestingly, Brockmann's research is not confined to his own work. He has also been named the Central America Area Editor for Grove Music Online: Latin American and Iberian Music, a scholarly reference in music that has been the gold standard for over three centuries. The Grove Music Dictionaries, first published in 1879, are still printed today, with a digital version, the Grove Music Online edition, launched in 2001.
Brockmann's role as the Central America Area Editor underscores his commitment to expanding the reach and depth of music scholarship. He oversees the Central America Area of Grove Music Online, ensuring that the rich musical traditions and historical studies of the region are accurately represented.
Beyond his work on "Canto de Marte" and his role at Grove Music Online, Brockmann has published articles in various prestigious academic journals, including the Yale Journal of Music & Religion, Bulletin of the Comediantes, Diagonal: An Ibero-American Music Review, and Ensayos: Historia y Teoría del Arte.
In addition to his academic pursuits, Brockmann is also a chancellor's postdoctoral scholar in history, musicology, and the Chicano Studies Research Center, demonstrating his versatility and commitment to interdisciplinary research.
As Brockmann's work continues to unfold, it is clear that he is making significant contributions to our understanding of Nicaraguan history and the role of music within it. His forthcoming book, "Canto de Marte," promises to be a seminal work in the field of Latin American music history.
Technology plays a crucial role in Brockmann's educational endeavors, as he oversees the Central America Area of Grove Music Online, a scholarly reference that was first published in 1879 and now has a digital version, ensuring that the rich musical traditions and historical studies of the region are accurately represented in the modern digital age.
Moreover, Brockmann's self-development and commitment to expanding the reach of music scholarship are evident in his participation in various prestigious academic journals, where he publishes articles that bridge the gap between history, musicology, and Chicano Studies, showcasing his versatility and interdisciplinary approach.
